front cover of Russian Women Poets of the Eighteenth and Early Nineteenth Centuries
Russian Women Poets of the Eighteenth and Early Nineteenth Centuries
A Bilingual Edition
Edited and Translated by Amanda Ewington
Iter Press, 2014
Russian Women Poets of the Eighteenth and Early Nineteenth Centuries is a bold, pioneering achievement. Not only does it bring to light a poetic tradition that has been totally forgotten for over two centuries, even in its country of origin, but it does so in a broadly inclusive fashion. It offers both the Russian texts (verified against their original publications) as well as accurate English translations, accompanied by short illuminating biographical and critical introductions. It thus makes this intriguing material accessible to a broad spectrum of readers, from the curious generalist to the scholar. This corpus of texts sheds significant light on the genesis and formation of modern Russian verse and on the ways in which this new cohort of poets strove to find their voice during a complex era of shifting literary, cultural and gender values, navigating between the male-oriented high genres of Neoclassicism and the “feminized” modes of Sentimentalism.
—Marcus C. Levitt
Professor, Department of Slavic Languages, University of Southern California
[more]

front cover of A Voltaire for Russia
A Voltaire for Russia
A. P. Sumarokov's Journey from Poet-Critic to Russian Philosophe
Amanda Ewington
Northwestern University Press, 2010

In A Voltaire for Russia, Amanda Ewington examines the tumultuous literary career of Alexander Petrovich Sumarokov in relation to that of his slightly older French contemporary, Voltaire. Although largely unknown in the English-speaking world, Sumarokov was one of the founding fathers of modern Russian literature, renowned in his own time as a great playwright and prolific

poet.

A Voltaire for Russia polemicizes with long-accepted readings of Sumarokov as an imitator of French neoclassical poets, ultimately questioning the very notion of a Russian “classicism.” Ewington uncovers Sumarokov’s poignantly personal devotion to Voltaire as a new framework for understanding not only his works but also his literary allegiances and agenda, as he sets out to establish a Russian literature and cultivate a reading public.

[more]


Send via email Share on Facebook Share on Twitter